1. Esistenza e libertà -- 2. Interiorità e persona -- 3. Verità e linguaggio -- 4. Storia e politica.

How do affect and cognition interact in managerial decision making? Over the last decades, scholars have investigated how managers make decisions. However, what remains largely unknown is the interplay of affective states and cognition during the decision-making process. We offer a systematization of the contributions produced on the role of affect and cognition in managerial decision making by considering the recent cross-fertilization of management studies with the neuroscience domain. We implement a Systematic Literature Review of 23 selected contributions dealing with (...) the role of affect and cognition in managerial decisions that adopted neuroscience techniques/points of view. Collected papers have been analyzed by considering the so-called reflexive (X-) and reflective (C-) systems in social cognitive neuroscience and the type of decisions investigated in the literature. Results obtained help to support an emerging “unified” mind processing theory for which the two systems of our mind are not in conflict and for which affective states have a driving role toward cognition. A research agenda for future studies is provided to scholars who are interested in advancing the investigation of affect and cognition in managerial decision making, also through neuroscience techniques – with the consideration that these works should be at the service of the behavioral strategy field. (shrink)

Purpose The purpose of this paper is to present the conceptual model of an innovative methodology (SAT) to assess the social acceptance of technology, especially focusing on artificial intelligence (AI)-based technology. -/- Design/methodology/approach After a review of the literature, this paper presents the main lines by which SAT stands out from current methods, namely, a four-bubble approach and a mix of qualitative and quantitative techniques that offer assessments that look at technology as a socio-technical system. Each bubble determines the social (...) variability of a cluster of values: User-Experience Acceptance, Social Disruptiveness, Value Impact and Trust. -/- Findings The methodology is still in development, requiring further developments, specifications and validation. Accordingly, the findings of this paper refer to the realm of the research discussion, that is, highlighting the importance of preventively assessing and forecasting the acceptance of technology and building the best design strategies to boost sustainable and ethical technology adoption. -/- Social implications Once SAT method will be validated, it could constitute a useful tool, with societal implications, for helping users, markets and institutions to appraise and determine the co-implications of technology and socio-cultural contexts. -/- Originality/value New AI applications flood today’s users and markets, often without a clear understanding of risks and impacts. In the European context, regulations (EU AI Act) and rules (EU Ethics Guidelines for Trustworthy) try to fill this normative gap. The SAT method seeks to integrate the risk-based assessment of AI with an assessment of the perceptive-psychological and socio-behavioural aspects of its social acceptability. (shrink)

Fahr’s disease is a rare idiopathic degenerative disease characterized by calcifications in the brain, and has also been associated with balance impairment. However, a detailed analysis of balance in these patients has not been performed. A 69-year-old woman with Fahr’s disease presented with a long-lasting subjective imbalance. Balance was analyzed using both clinical and instrumented tests. The patient’s balance was normal during clinical tests and walking. However, during standing, a striking impairment in vestibular control of balance emerged. The balance behavior (...) displayed mixed parkinsonian and cerebellar features, with a discrepancy between the high severity of the static and the low severity of the dynamic balance impairment. The balance impairment characteristics outlined in this study could help neurologists and physiatrists detect, stage, and treat this rare condition. (shrink)

Falls are frequent in Myotonic Dystrophy type 1, but the pathophysiology of the balance impairment needs further exploration in this disease. The current work aims to provide a richer understanding of DM1 imbalance. Standing balance in 16 patients and 40 controls was tested in two posturographic tests. In the Sensory Organization Test, standstill balance was challenged by combining visual and environmental conditions. In the “react” test, reflexes induced by sudden shifts in the support base were studied. Oscillations of the body (...) centre of mass were measured. In the SOT, COM sway was larger in patients than controls in any condition, including firm support with eyes open. On sway-tuned support, COM oscillations when standing with closed eyes were larger in patients than controls even after taking into account the oscillations with eyes open. In the “react” paradigm, balance reflexes were delayed in patients. Results in both experimental paradigms are consistent with leg muscle weakness. This, however, is not a sufficient explanation. The SOT test highlighted that patients rely on vision more than controls to maintain static balance. Consistently enough, evidence is provided that an impairment of proprioceptive and vestibular systems contributes to falls in DM1. Rehabilitation programs targeted at reweighting sensory systems may be designed to improve safe mobility in DM1. (shrink)

I temi della libertà e del male nelle considerazioni di Luigi Pareyson rivelano una profondità non comune e costituiscono, specie per la teologia, una riflessione "provocante" che dà a pensare. Se la fenomenologia del male moltiplica le domande senza risposta, nell'ordine del pensiero, esso rappresenta l'aporia delle aporie. Eppure, di fronte alla lacerante domanda sul male, l'uomo da sempre ha tentato di rispondervi. Ma il male, nella sua multiforme e tentacolare realtà, non solo sembra sfuggire ad ogni risposta, ma (...) nello stesso tempo sembra rivelare "un fondo tenebroso", uno stato di irrazionalità radicale, le cui radici penetrano nel più profondo della natura umana e gettano la loro ombra nei segreti recessi dei rapporti tra uomo e trascendenza. Così la radicalità del male nel suo non-senso si vede rinviata all'origine del senso, cioè a Dio. Questo è il punto più difficile, temerario e tuttavia penetrante, dove Pareyson cerca di mostrare come proprio individuando in Dio la possibilità, da Dio stesso scartata da sempre e per sempre, del male, si possa comprendere l'irrevocabile, eterna, originaria positività che è il Dio cristiano. (shrink)

La crisis sanitaria mundial ha propiciado un fecundo debate iusfilosófico en lo referente a la protección de los derechos humanos. El nuevo escenario exige respuestas nuevas por parte de la filosofía del derecho. En este trabajo se somete a crítica la teoría del garantismo constitucional de Luigi Ferrajoli, cuestionándose su idoneidad como marco de referencia para afrontar los mencionados desafíos. La crítica se centra en la concepción ferrajoliana de la democracia y en su proyección cosmopolita. Se argumentará que la (...) extensión del constitucionalismo más allá del Estado debe realizarse a partir de un cosmopolitismo gradual y realista. (shrink)

This book provides the first English translations of pivotal essays and debates on the role of language politics, linguistics, and translation in Antonio Gramsci's influential cultural theory. It also includes new works from leading and up-and-coming anglophone scholars to create a vital resource for a wide variety of readers interested in Gramsci across many disciplines including cultural studies, critical political economy, social and political theory, literature, sociology, post-colonialism, and philosophy.

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.2 (2003) 31-45 [Access article in PDF] Antonio Gramsci on Surrealism and the Avant-garde E. San Juan, Jr. Surrealism provided me with what I had been confusedly searching for. I have accepted it joyfully because in it I have found more of a confirmation than a revelation. It was a weapon that exploded the French language. It shook up absolutely everything....A process of (...) disalienation, that's how I interpreted surrealism. 1In the spring of 1919, André Breton and Phillipe Soupault conducted various experiments in automatic writing. They converted themselves into machines to record the whispers of the unconscious, inspired by Rimbaud's urge for adventure in quest of cosmic knowledge and Lautreamont's conviction of art as a communal enterprise. To destroy bourgeois morality and class inequality, uphold the freedom of the imagination, and release the libidinal energies dammed up in the psyche, surrealism — Guillaume Appolinaire's term 2 — was invented from the nihilistic ruins of Dada to lay the groundwork for building a society founded on liberty and justice. In the same year the Italian Marxist Antonio Gramsci founded the innovative journal, L'Ordine Nuovo and advocated the factory council (modeled after the Russian Soviets) as the germ of an emergent communist society. Both initiatives were pathbreaking in challenging the orthodoxies of modernist bourgeois culture, politics, and philosophy.When Breton published his 1924 "First Manifesto of Surrealism" privileging dreams, the unconscious, the fantastic, and marvelous, Gramsci was the principal leader of the Communist Party of Italy spearheading the opposition to Mussolini's fascist takeover. Two years later, Gramsci was arrested and imprisoned until his death in 1937. In the Prison Notebooks that occupied him while in jail, Gramsci does not — as far as I am aware — refer to Breton or to surrealism directly. But in his scattered reflections on modern art and culture in general, and in his particular observations on Italian futurism (in particular, on Filippo Marinetti and Luigi Pirandello), we can [End Page 31] extrapolate the general approach Gramsci would take toward surrealism and avantgarde art as oppositional cultural practices. This exercise may clarify what a revolutionary Marxist position should be toward the philosophical or pedagogical category of the aesthetic within the field of cultural practice and artistic production, especially in the post-Cold War epoch of nation-state realignments and the reconfiguration of globalized finance capital in the new millennium.All commentators agree that Gramsci viewed the aesthetic as a category within the terrain of historical materialism and the political economy ofvalue in general. Artistic values are rooted in the social and material practices of a specific society which defines the limits of conventional artistic forms and the subject matter available to the artist. Vision or intuition and diverse raw materials (language, sounds, dance movements, and filmic images) are indissociable. Contrary to Benedetto Croce's emphasis on transcendental intuition, Gramsci valorizes the materialization of this intuition into perceptible, sensory structure, an architectonic whole produced by intellectual discipline and shaped by an integral worldview. In short, for Gramsci, the work of art is the historicization and objectification of vision/intuition.Gramsci's conception of Marxism stresses its intrinsic dialectical method, its emphasis on processes and relations within a social formation comprised of multilayered modes of production, given the necessarily uneven development of capitalism. This mode of historicizing life not only to interpret but to change it is a guide for collective action, not a dogmatic party line. "Man 'is' precisely the process of his actions," Gramsci writes, and "relative to what we have thought and seen, we seek to know what we are and what we can become, whether it is true and within what limits that we do 'make ourselves,' create our own lives and our own destinies." 3 Here, knowledge and action are oriented toward linking the past with the present in order to fashion the future. The chronotope of revolution is essentially a collage, more precisely a montage, of transformations that amalgamates contraries, oppositions, disparities.While Gramsci did not endorse Freudian theory completely except by... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.2 (2003) 31-45 [Access article in PDF] Antonio Gramsci on Surrealism and the Avant-garde E. San Juan, Jr. Surrealism provided me with what I had been confusedly searching for. I have accepted it joyfully because in it I have found more of a confirmation than a revelation. It was a weapon that exploded the French language. It shook up absolutely everything....A process of (...) disalienation, that's how I interpreted surrealism. 1In the spring of 1919, André Breton and Phillipe Soupault conducted various experiments in automatic writing. They converted themselves into machines to record the whispers of the unconscious, inspired by Rimbaud's urge for adventure in quest of cosmic knowledge and Lautreamont's conviction of art as a communal enterprise. To destroy bourgeois morality and class inequality, uphold the freedom of the imagination, and release the libidinal energies dammed up in the psyche, surrealism — Guillaume Appolinaire's term 2 — was invented from the nihilistic ruins of Dada to lay the groundwork for building a society founded on liberty and justice. In the same year the Italian Marxist Antonio Gramsci founded the innovative journal, L'Ordine Nuovo and advocated the factory council (modeled after the Russian Soviets) as the germ of an emergent communist society. Both initiatives were pathbreaking in challenging the orthodoxies of modernist bourgeois culture, politics, and philosophy.When Breton published his 1924 "First Manifesto of Surrealism" privileging dreams, the unconscious, the fantastic, and marvelous, Gramsci was the principal leader of the Communist Party of Italy spearheading the opposition to Mussolini's fascist takeover. Two years later, Gramsci was arrested and imprisoned until his death in 1937. In the Prison Notebooks that occupied him while in jail, Gramsci does not — as far as I am aware — refer to Breton or to surrealism directly. But in his scattered reflections on modern art and culture in general, and in his particular observations on Italian futurism (in particular, on Filippo Marinetti and Luigi Pirandello), we can [End Page 31] extrapolate the general approach Gramsci would take toward surrealism and avantgarde art as oppositional cultural practices. This exercise may clarify what a revolutionary Marxist position should be toward the philosophical or pedagogical category of the aesthetic within the field of cultural practice and artistic production, especially in the post-Cold War epoch of nation-state realignments and the reconfiguration of globalized finance capital in the new millennium.All commentators agree that Gramsci viewed the aesthetic as a category within the terrain of historical materialism and the political economy ofvalue in general. Artistic values are rooted in the social and material practices of a specific society which defines the limits of conventional artistic forms and the subject matter available to the artist. Vision or intuition and diverse raw materials (language, sounds, dance movements, and filmic images) are indissociable. Contrary to Benedetto Croce's emphasis on transcendental intuition, Gramsci valorizes the materialization of this intuition into perceptible, sensory structure, an architectonic whole produced by intellectual discipline and shaped by an integral worldview. In short, for Gramsci, the work of art is the historicization and objectification of vision/intuition.Gramsci's conception of Marxism stresses its intrinsic dialectical method, its emphasis on processes and relations within a social formation comprised of multilayered modes of production, given the necessarily uneven development of capitalism. This mode of historicizing life not only to interpret but to change it is a guide for collective action, not a dogmatic party line. "Man 'is' precisely the process of his actions," Gramsci writes, and "relative to what we have thought and seen, we seek to know what we are and what we can become, whether it is true and within what limits that we do 'make ourselves,' create our own lives and our own destinies." 3 Here, knowledge and action are oriented toward linking the past with the present in order to fashion the future. The chronotope of revolution is essentially a collage, more precisely a montage, of transformations that amalgamates contraries, oppositions, disparities.While Gramsci did not endorse Freudian theory completely except by... (shrink)

A recently published volume – edited by Walter Tega and Luigi Turco – celebrates the Italian historian of philosophy Antonio Santucci. One of the founders of the neoilluminismo (new-Enlightenment), Santucci blended strong civil commitment with rigorous textual analysis and contributed to the popularisation of British and American philosophy in Italy. The book describes Santucci's contribution to the historical research on empiricism and stimulates a reappraisal of the heated cultural debate which flourished in Italy after the Second World War.

Nella nuova Italia gli interpreti e i difensori delle civili libertà (l'espressione è di Romagnosi) furono pochi e poco considerati. Tra essi, gli amici e i seguaci radicali e federalisti di Carlo Cattaneo, ma anche un moderato come Pasquale Villari, il maestro di Gaetano Salvemini. Tutti ebbero in comune la condivisione del pensiero filosofico e politico di John Stuart Mill e il proposito di favorirne la diffusione nella cultura del loro tempo. Mill fu uno degli autori più tradotti nell'Italia (...) dell'Ottocento. Se la sua filosofia ebbe pochissima fortuna, il suo liberalismo attraversò invece tutta la classe politica ed intellettuale italiana: fu come un crocevia di strade diverse per provenienza e destinazione. Ciò vale per Francesco Ferrara e per Vilfredo Pareto, per Marco Minghetti e per Luigi Luzzatti, per i liberisti della Società Adamo Smíth e per i vincolisti del Giornale degli economisti. Il confronto con Mill permette di individuare i caratteri della filosofia civile del liberalismo post-unitario, le sue aspirazioni di buon governo e di giustizia, la sua fiducia nella cultura della modernità. La ricostruzione dei dibattiti e delle polemiche che si susseguirono tra gli anni sessanta e settanta sul decentramento, sulla rappresentanza proporzionale, sul suffragio femminile, sui rapporti fra stato e società civile, sul metodo dell'economia politica, sul socialismo e sull'utilitarismo i temi essenziali del liberalismo milliano aiuta a cogliere il significato storico del complesso rapporto tra liberalismo e positivismo in Italia. Ne viene fuori, come mette in rilievo Norberto Bobbio nella prefazione al volume, il carattere tortuoso e difficile del liberalismo italiano; la sua difficoltà a divenire una base effettiva di riferimento del nuovo stato, dei suoi ceti dirigenti, delle sue elite intellettuali. (shrink)

ABSTRACTWorldwide emergence of strongmen leaderships and eroded or failed democracies suggest that the era of unchallenged neoliberal hegemony may be winding down and that alternatives are rising....

Índice del número colectivo Minga-Mutirão de Revistas Latinoamericanas de Teología 2013, «A los 40 años de la Teología de la Liberación: balance y futuro» VIGIL, José Maria. Presentación . BARROS, Marcelo; VIGIL, José Maria. Anunciaron su muerte, ¡pero está bien viva! Teología de la Liberación 40 años: balance y perspectivas . SUSIN, Luiz Carlos, Secretario Executivo do Foro Mundial de Teologia e Libertação, Porto Alegre, Brasil, Teologia da Libertação: de onde viemos, para onde vamos? ALMEIDA, Antonio José de , (...) Teologia da Libertação e transições eclesiasis pendentes para o futuro. ARAGÃO, Gilbraz, Recife, Brasil, A Libertação se desdobra em diálogo. Teologia da Libertação e pluralismo religioso. BARROS, Marcelo, Recife, Brasil, Para una teología bolivariana de la Liberación. Teología de la Liberación y Patria Grande hoy . SCHIAVO, Luigi, San José, Costa Rica , Tiempos oscuros, tiempos de monstruos. Teología de la Liberación y nuevos desafíos culturales. OSORIO, Sergio, Bogotá, Colombia , Una nueva dimensión epistemológica para la teología. La Teología de la Liberación y el desafío epistemológico. RODRIGUES SILVA Marcos, Coordenador da Comissão de Teologia Afro da ASETT, Teologia Afro (ou Negra) da Libertação: balanço e perspectivas. TOMICHÁ, Roberto, Cochabamba, Bolivia, Teologías de la liberación indígenas. VÉLEZ, Consuelo, Coordinadora de la Comisión de Teología Feminista de la ASETT, Universidad Xaveriana, Bogotá, Colombia, Teología feminista latinoamericana de la Liberación: balance y futuro. KERBER, Guillermo : Teología de la liberación y movimiento ecuménico. CASTILLO, Jorge, panameño profesor de teología en la Universidad de Nijmegen, Holanda, Teología de la liberación y «cristianismo mundial». VIGIL, José María, Panamá, Panamá, Teología de la Liberación en camino hacia nuevos paradigmas. (shrink)

Recent research on corporate social responsibility (CSR) suggests the need for further exploration into the relationship between small and medium-sized enterprises (SMEs) and CSR. SMEs rarely use the language of CSR to describe their activities, but informal CSR strategies play a large part in them. The goal of this article is to investigate whether differences exist between the formal and informal CSR strategies through which firms manage relations with and the claims of their stakeholders. In this context, formal CSR strategies (...) seem to characterize large firms while informal CSR strategies prevail among micro, small, and medium-sized enterprises. We use a sample of 3,626 Italian firms to investigate our research questions. Based on a multistakeholder framework, the analysis provides evidence that small businesses* use of CSR, involving strategies with an important impact on the bottom line, reflects an attempt to secure their license to operate in the communities; while large firms rarely make attempts to integrate their CSR strategies into explicit management systems. (shrink)

Escribir sobre ética —y en particular sobre ética médica— en los tiempos que corren comporta un cierto riesgo, no sólo por la posible incompetencia del autor, sino porque éste se encuentra algo desubicado en un entorno de crisis moral propiciada por el cientifismo como nueva religión laica y la voracidad de los mercados. La preocupación de los legos por la creciente dificultad en discernir aquello que es ético o bueno de lo que no lo es constituye en la actualidad un (...) dilema universal, al menos por cuanto respecta a nuestra civilización occidental. Dicha preocupación se encuentra plasmada en decenas de textos dedicados no ya a los aspectos más abstractos o filosóficos de la ética general, sino a las “éticas particulares” aplicables a las profesiones, las empresas o al ámbito político. Así, se habla de una ética periodística, del compliance industrial, de la investigación, de la banca, de las redes de sociales y, por supuesto de la medicina. (shrink)

W latach 40 XIX wieku Luigi Taparelli i Antonio Rosmini wprowadzili do publicznego obiegu termin „sprawiedliwość społeczna”. Od tamtego czasu znaczenie tego pojęcia znacznie się poszerzyło. W tej części wskazane zostały utożsamienia sprawiedliwości społecznej ze sprawiedliwością wyrównawczą (w odmianach: karzącej, naprawczej i wymiennej). Niektóre z tego rodzaju identyfikacji zakładają istnienie podmiotów kolektywnych. Występują one jako czasowe bądź przestrzenne grupy społeczne i kohorty.

The text analyses the new images produced by artificial neural networks such as Generative Adversarial Networks (GANs) from the perspective of photography and, more specifically, cameraless photography. The images produced by GANs are located within the wider framework of the impact of machine learning technologies on contemporary visual culture and contemporary artistic practices. In the final section, the article focuses on the work of two artists who have explicity tackled the relations between GAN-generated images and the traditions of photography and (...) cameraless photography, with their multiple intertwinings of human and non-human agencies: Mario Klingemann and Grégory Chatonsky. (shrink)

Often presented as a new form of materialism, theories of media have been repeatedly fascinated by the idea of dematerialization—more precisely, by a vision of the history of technical media as a process teleologically oriented toward a future characterized by the overcoming of the weight, the opaqueness, and the resistance of materiality and by the advent of new, pervasive forms of instantaneous communication. Light, be it natural or artificial, has often played a key role in this historical narrative. With its (...) diffused presence, limitless plasticity, ultimate speed, ambiguous status between infinitely small particles and electromagnetic waves, and crucial role in the transmission of images and signals, light has often raised the question of the materiality of media itself, pointing to the possibility of immediacy—of an immediate, instantaneous, immaterial transmission. In this article I analyze the presence of this idea of dematerialization as the end point of media history in the writings of László Moholy-Nagy and Marshall McLuhan, whose thinking about media is centered on the assumption that light is the most fundamental medium, one that leads the entire range of technical media to gradually dematerialize and merge within the environment or even dissolve into the atmosphere. (shrink)

O presente artigo examina como a obra historiográfica _Revoluções Cisplatinas_, de 1915, do político, diplomata e historiador Alfredo Augusto Varella, representa tanto disputa política como uma forma de escrita da história sobre a Farroupilha. A partir da hipótese de que na Primeira República, no Rio Grande do Sul, houve uma hegemonia social e política do PRR quer se investigar como a obra de Varella articulou-se com o seu contexto. Portanto, o objetivo é analisar como foi construída a narrativa sobre a (...) Farroupilha no contexto de disputas em torno do borgismo. Para atingir tal objetivo, usa-se o conceito de operação historiográfica de Michel de Certeau, isto é, como a partir de uma análise do lugar social, da prática científica e da escrita do texto pode-se perceber as transformações na escrita da história sobre a Farroupilha. Por fim, percebe-se que a obra analisada foi um objeto tanto de luta política como de virada interpretativa na escrita da Farroupilha. (shrink)

La vida espiritual ocupa un lugar muy importante en el pensamiento de Isidoro de Sevilla y ha quedado plasmada en sus principales obras, así lo podemos descubrir en la lectura de las Etimologías, de las Sentencias, de los Sinónimos, de los Oficios Eclesiásticos y de su Regla monástica. El objetivo de este trabajo es desarrollar los principales temas de la vida espiritual expuestos en sus obras. Así describiremos el modelo de santidad que el propone y el camino para alcanzarla, la (...) función del Espíritu Santo en la actividad santificadora del cristiano, la vida de oración, tanto personal como comunitaria, la vida penitencial y la práctica de las virtudes. Y expondremos su espiritualidad monástica con aquellas características más importantes. (shrink)